説明
45年に亘り30枚以上のアルバムをリリースしてきたブラジルを代表するフュージョン・グループAzymuthが80年に発表した4thアルバム『Outubro』がFar Out Recordingsよりリイシュー！Jose Roberto Bertramiの繰り出すローズ・エレピの流麗なフレーズと80年代に入り新時代到来を予感させるシンセサイザーの未来感が混ざりあった傑作エレクトリック・ジャズA1、A2で幕を開け、DJ Harveyプレイでもお馴染みのエレピ＆ハモンド・オルガンの穏やかなリフとスラップベース、ヴォコーダー・コーラスの甘い響きがたまらないコズミック・フュージョン・ファンクA4、ゆったりとラグジュアルに心蕩けるような時間を演出するアーバン・ファンクB1、サンバ・ホイッスルのアクセントが入ったファンク・ジャム・セッションB2など、抜群の演奏技術で色彩感豊かに展開される9曲を収録！一生ものとしてぜひこの機会に！
A1 Papasong 4:35
A2 500 Miles High 5:36
A3 Pantanal = Swamp 2:22
A4 Dear Limmertz 4:31
A5 Carta Pro Airto = Letter To Airto 1:18
B1 Outubro = October 5:17
B2 Maracana 5:35
B3 Un Amigo = A Friend 5:20
B4 Dear Limmertz Prelude 1:09
Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.
The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doidoi’ (crazy samba) philosophy.
The two cover versions on the album consist of the title track which was originally penned by Milton Nascimento and Chick Corea’s ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.
A landmark recording from Azymuth's prime era, Outubro is to be reissued on classic black vinyl. First released in 1980, the album could stake a claim to be the group's most danceable, home to the insatiable grooves of 'Dear Limmertz' and 'Maracana'.
Re-mastered from the original two-inch tapes, this issue provides the optimum means to enjoy Azymuth's expressionist fusion of samba rhythm, jazz progression, funk attitude and ethereal electronics.
