Black Blood / Lantei Lamptey – Wela Wela / Komi Ke Kenam (Fish & Funjee) [Mr.K Edits]


価格:
販売価格¥2,290 JPY
Condition : New
Format : 7 inch
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説明

アフリカ大陸中部出身のミュージシャンで構成されたBlack Bloodの『Wela Wela』は、タムタムを多用した過激なトラック。1974年のヒット曲『A.I.E. (A Mwana)』ほどの注目は得られなかったが、『Soul Makossa』を彷彿とさせるアシッド・ロック調のリフが強烈なエネルギーを放つ。Mr. Kは「ダンスには最適だが、DJフレンドリーではなかった」と指摘。今回のリエディットで7インチ向けに再構築し、プレイしやすく仕上げた。

B面のLantei Lamptey『Komi Ke Kenam (Fish & Funjee)』は、1970年代のブルックリン小さなレーベルからリリースされた隠れた名作。タフなブレイクビートから始まり、ファンキーなベースラインと鋭いワウ・ギターが絡み合い、サックスを前面に押し出したクライマックスへと突き進む。

両曲ともDJプレイを想定したリマスタリングが施され、オリジナルのファンク要素を最大限に引き出したエクステンデッド・エディットに。クラブでの使用に最適なラウドカット仕様の7インチ盤で、アフリカン・ビートの真髄を伝える。


A    Black Blood–    Wela Wela (7-Inch Edit By Mr. K) 5:37
B    Lantei Lamptey–    Komi Ke Kenam (Fish & Funjee) (7-Inch Edit By Mr. K) 5:02


The tom-tom heavy tribal rhythm of “Wela Wela” is one of the rawest, hardest cuts from the band Black Blood, a conglomeration of musicians from the central part of the African continent who were based in Belgium. The group had a breakout single in 1974 with the exotica-leaning “A.I.E. (A Mwana)” but never were able to quite capture the excitement that single generated with their follow up records. We can only guess that songs like “Wela Wela” were simply way too heavy for the pop tastes of the day, since the groove is a beast! — an acid rock tangent of the “Soul Makossa” riff that radiates pure energy. Mr. K aserts “It’s an incredible song to dance to, but was not very DJ friendly, and I never seem to hear other DJs play it... or even talk about it.” Originally debuted on his Grass Roots album, Mr. K's new rearrangement should change that, especially now that it's been made available on this hard hitting, portable 7-inch format.

Originally released the same year as Black Blood’s debut, “Komi Ke Kenam (Fish & Funjee)” was discovered and distributed by a small independent Brooklyn label that featured many other incredible African bands of the 70's. The song opens with a tough breakbeat (subtly extended by Mr. K on our release), and rumbles over a funky bassline and slicing wah-wah guitar before bursting out with a sax-led climax, a gritty get-down jam if there ever was one.

Both cuts have been remastered expressly for DJ play and are loud and clubworthy, in new extended edits that tease every last bit of funk from the originals.

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