Ibelisse Guardia Ferragutti & Frank Rosaly – Mestizx

販売価格¥5,690 JPY
Condition : New
Format : LP
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MESTIZXは、ボリビア出身の歌手Ibelisse Guardia Ferraguttiとシカゴ出身のジャズドラマーFrank Rosalyによるデビューアルバムです。彼らはボリビア、ブラジル、プエルトリコのルーツを探り、脱植民地化と儀式、抗議の力をテーマにした作品を創り上げました。アルバムタイトル「MESTIZX」は、混血を意味するスペイン語のジェンダーフリーバージョンで、彼らのアイデンティティと芸術の境界を象徴しています。音楽はラテンリズム、ジャズ、パンク、フォークなど多様なジャンルを融合し、独自のサウンドを展開。Matt LuxやBen LaMar Gayなど多くのミュージシャンが参加し、シカゴのInternational Anthem Studiosで録音されました。MESTIZXは、植民地主義の影響を描いた自伝的な作品でありながら、共同体的で祝祭的な要素も含まれた魅力的なアルバムです。


A1. Invocação
A2. Destejer
A3. Balada Para La Corporatocracia
A4. Turbulência
A5. Mestizx
B1. Barro
B2. Saber Do Mar
B3. Bless Thee Mundane
B4. Descend
B5. Writing With Knots
B6. Sirinus


MESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.

Partners in both marriage and art, the Amsterdam-based Ferragutti and Rosaly dove into the sounds of their respective ancestral roots in Bolivia, Brazil, and Puerto Rico to create a deeply personal meditation on decolonization and the defiant power of ritual and protest. They chose the title MESTIZX – a non-gendered version of the sometimes slurred Spanish colonial word for a “mixed person” - as a means of both challenging and embracing the liminality of their identities and artistic practices.

Rosaly says: “I grew up quite Puerto Rican in my home, but was taught to mask it outside my home. I wasn’t allowed to speak Spanish, so the drums eventually became my language, secretly tying together my own feeling of connection to mi tierra. This record is the first time I actively give voice to the nuance within myself, allowing me to take ownership of this in-between, which is what this album communicates for me… There is this unusual place that exists between these two cultures, of which I am both. There is a complex story in that sliver of in-betweenness, worthy of giving voice to all of us that live in-between.”

Ferragutti adds: “My personal understanding is one that stems from being placed in between lineages that carry the colonizer and colonized, the oppressor and oppressed, the demon and the angel… thus by definition is tied to post-colonial social constructs which we as Bolivians have to step in, like a 500 year novel that goes on and on… We have access to many memories and traditions, but not really, because we don’t fully belong to any of those… This makes us feel we're in a constant state of being the “visitors” and “outsiders.” On one hand, we are never truly part of one lineage. On the other hand, it makes us a travelers of worlds, storytellers in between multiple languages, cultures, and worldviews. We chose MESTIZX for this work as an act of recognizing the mixed state of being as a difficult and yet powerful one.”

The album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.

The music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach & Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...

It’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti & Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.

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