Description
デトロイト・テクノへの傾倒やVangelis、Brian Enoの系譜を継ぎ、The Guardian誌の「死ぬまでに聴くべき1000枚のアルバム」にも選出されたTom MiddletonとMark PritchardのユニットGlobal Communicationによる90年代アンビエント／エレクトロニック名盤のヴァイナル。
The Guardian誌で「死ぬまでに聴くべき1000枚のアルバム」に挙げられた歴史的傑作『76:14:00』。デトロイト・テクノに傾倒していたTom MiddletonとMark PritchardのふたりによるユニットGlobal Communicationが、サマセットの田園風景を見渡しながら制作したアンビエント／エレクトロニックのクラシックだ。
VangelisやBrian Enoといった巨匠からの影響を感じさせるサウンドでありながら、聴き手独自の解釈に委ねるため、楽曲に特定の主題を設定せず全体の収録時間や各曲の長さをそのままタイトルに冠した構成を採用。甘美なメロディとビートレスな音響が重なり、深いリラクゼーションをもたらす。
A1. 4:02
A2. 14:31
B1. 9:25
B2. 9:39
C1. 7:39
C2. 8:07
C3. 5:23
D1. 0:54
D2. 4:14
D3. 12:18
Aged to perfection at 31 years young, 76:14:00 is described as "unfathomably beautiful out-of-time masterpiece“ in The Guardian's ‘1,000 Albums to Hear Before You Die’ list. Certainly, on release it was clear that it was something special, and not just because it was named after its total running time (though in fact it is shorter) and each track is also titled after its respective length. Tom Middleton and Mark Pritchard, the duo behind Global Communication and other aliases, stated in the sleeve notes that this was intended to avoid the implication that there was any specific meaning or subject mater to their compositions, leaving the listener free to interpret it according to their own imagination.
And as the record is a certified classic of 1990s ambient and electronic experimentalism (clearly influenced by greats like Vangelis and Brian Eno), sweetly melodic, soothing and largely beatless, it is almost impossible to listen to it without eliciting extreme relaxation and flights of mental fancy.As the Guardian put it, it’s a great example of a musical timeline that ran parallel to Britpop, “where Orbital, not Oasis, were the most important band at Glastonbury and a couple of chaps in thrall to Detroit techno, made an album while looking out over a field of cows in Somerset.”
