Description
A trippy, DJ-focused 4-track EP blending tech house and minimal, released by Voigtmann, a long-time friend of the renowned London record store Phonica, known for precise sound design and playful grooves.
A long-time friend of London's Phonica, Voigtmann is known for his precise engineering and playful groove work. His work, "A Thousand Futures," is a 12-inch vinyl that perfectly aligns with the spirit of the "AM" series, curated by Phonica's Luther Vine, which focuses on the stranger corners of the late-night dancefloor.
The four tracks on this release move effortlessly between sophisticated, futuristic club moods. From the cosmic drive of "Leftfoot Lover" to the acid-tinged "Outer Edge," and on to the jacking electro-funk tension of "No Room For Squares." The record closes with "Sunshine Capital," a warm, chord-led track that retains his signature gritty texture, creating a deep moment that keeps the dancefloor focused. Touching on progressive house, tech house, and electro-leaning minimal, this is a powerful record for DJs that prioritizes a trippy sensibility and functionality over any single genre.
A1. Leftfoot Lover
A2. Outer Edge
B1. No Room For Squares
B2. Sunshine Capital
Phonica AM welcomes long-time friend of the shop Voigtmann, appearing under his A Thousand Futures alias with a release that feels perfectly at home on the imprint. Known for precision engineering and playful groove work, he delivers a 12″ that’s subtle, characterful and built for repeat play.
Across four tracks, Voigtmann moves between sleek, futuristic club moods with ease: from the ghostly, cosmic drive of “Leftfoot Lover” and the acid-flecked momentum of “Outer Edge,” through to the jacking electro-funk tension of “No Room For Squares.” The record closes on “Sunshine Capital,” a warm, chord-led cut that still carries his trademark grit - a deeper moment without losing focus.
Curated by Phonica’s Luther Vine, the AM series champions the stranger, more late-night corners of the dancefloor, and this release fits the ethos with style. Touching lightly on progressive house, tech house and electro-leaning minimal, the record avoids strict genre lines and instead prioritises feeling: trippy, functional and made for DJs.
